The 7 Most Perfect And Satisfying Endings Of Classic Movies

A movie ending is one of the most crucial moments in a film. It may make or break how you feel about the story you just watched, whether it leaves you pleased or sad, or has a visual or line of conversation that just brings everything together.
This is why the final sequence of a film has some of the finest moments in movie history. The excitement that an audience member experiences as the film nears its conclusion is unlike anything else. The need to observe how a tale unfolds and where a character's fate rests is one of the primary reasons we watch movies in the first place. Iconic movie endings may be found in all genres, from dramas, romances, comedies, actions, and especially the classics. These Satisfying Endings Of Classic Movies Are Perfect.
Classic films are timeless for many reasons, one of which is how well they end, as evidenced by these great classic film endings. Classic movies often have the best endings as they stay with the audience for many years and decades to come. Below is the list of 7 of the most perfect endings in classic cinema. The Most Perfect And Satisfying Endings Of Movies Are Must-See. 

#1 Roman Holiday (1953)

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Roman Holiday is a modern reworking of Mark Twain's famous fable The Prince and the Pauper, about a Prince who falls in love with a commoner. On a vacation to Rome, Princess Anne decides she's had enough of her royal duties and quits the palace while under the influence of a sedative.
She encounters Joe Bradley, a US reporter, who welcomes her home and gives her his sofa to sleep on for the night. The next day, Bradley understands who she is and spends the day with Anne enjoying fun in Rome while gradually falling in love. She knows she must return to the palace and her duties, so she instructs Bradley to drop her off on a nearby street. They exchange an emotional farewell as she walks away without telling him who she is.
However, in the closing scene, she meets with the press as Princess Anne—and Joe Bradley is also present. Before Anne leaves the room, they exchange grins and hidden signals in their remarks in front of the media. Joe then walks away, having lost someone he cares about in a heartbreaking finale.

#2 City Lights (1931)

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City Lights, Charlie Chaplin's favorite of his own films, has a conclusion that surprises the viewer, demonstrating that the border between humor and emotion is thinner than you may believe. As he travels over the world, The Tramp resolves to assist a blind flower girl by paying for her operation so she can see. The issue is that he does not have any money. Throughout the film, he succeeds to obtain the monies, but his activities land him in prison. Months later, he's poorer than ever, and he stumbles across the flower girl, who can now see and runs her new flower store.
While he only wishes to chat with her, The Tramp declines and walks away. But she feels he's the one who paid for her surgery, and she's surprised to learn that he's not as wealthy as she had assumed. Smiling, they look at each other with a bond in their eyes never before shown in cinema history, offering the audience a finale that captures the core of what it means to be human.

#3 Mr. Smith Goes to Washington (1939)

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The narrative of Jefferson Smith and his career as a US Senator culminates with one of the best endurance moments in film history. Smith filibusters the Senate floor before they can reach the disciplinary vote that would see him removed from the Senate after being set up as a person who would profit from his proposed measure, making Smith look guilty in front of the US Senate. After a while, Smith continues to postpone the vote in the hopes of being exonerated by those who believe in him and his innocence, but his detractors know he can only do so for so long.
However, as all hope looks to be lost, Claude Raines' Senator Paine observes Smith collapsing from exhaustion and ultimately breaking down, initially attempting suicide before revealing the truth about the staged situation. As far as cinematic fist-in-the-air moments go, Jefferson Smith's vindication is a pure thrill for the spectator as we witness the good man finally proven innocent.

#4 Tokyo Story (1953)

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Tokyo Story is about two elderly parents who travel to Tokyo and Osaka to see their children and grandkids in their daily lives distant from their home in western Japan.
As Shukichi and Tomi stay with their family, they learn they are perceived as an imposition rather than warmly welcomed. All of their children regard the visit as an obligation rather than a desire, each attempting to figure out what to do with their parents while going about their everyday lives. They even opt to send their parents to a cheap resort in Atami Hot Springs rather than spend time with them at one point. So Tomi decides to spend the evening with their deceased son's wife's daughter-in-law, Noriko.Noriko, unlike the others, appears to enjoy spending time with them.
However, on Shukichi and Tomi's way back home, Tomi becomes ill and dies, forcing the family to return home to comfort their father and look after their mother's belongings. Following the vacation, each child reaches a conclusion about their overall behavior toward their parents, not just on this trip but throughout their adult lives. This understanding, however, has come too late for some.

#5 Citizen Kane (1941)

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In the 80 years after its publication, Orson Welles' masterpiece has defined filmmaking as an art form. Welles used numerous narrative tactics that were unheard of at the time to illustrate the death of Charles Foster Kane in the opening sequence before returning to tell us his story.
As we follow Kane through his life, watching the tycoon slide into a lifestyle that offers him nothing but suffering due to his continuous miscalculations, his final word "Rosebud" haunts the film throughout. When we eventually get to the conclusion, and Kane says his final words before dying away, the meaning is lost on the reporters who are attempting to figure out what it meant.
However, while Kane's belongings are being processed and destroyed, his childhood sled "Rosebud" is thrown into the furnace. The exact meaning behind the symbolic burning of Kane's final statement is up to the spectator, but Welles' filmmaking is brilliant.

#6 Casablanca (1942)

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Casablanca arguably has the most famous film ending of all time, stars Humphrey Bogart and Ingrid Bergman as Rick and Ilsa, two former loves who meet in the city.
After a story in which the pair rediscover their love for one another, despite Ilsa's new husband, they choose to leave Casablanca together to flee the Nazis. With everything in place at the airport, Rick abruptly turns the plan on Ilsa and compels her to leave with her husband. Rick and Ilsa agree that they love each other, but she must accompany Victor since she is too crucial to his work with the Allies.
Rick is protected from the police by Renault as the jet departs, and the pair walk out into the mist, discussing their plans to travel to Brazzaville together.Rick and Ilsa's courtship is cinema's truest tragic romance, but their final scene is a monument to the genre's impeccable perfection.

#7 Brief Encounter (1945)

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The David Lean classic, which depicts the story of two married individuals who meet one afternoon at a train station before embarking on a romantic affair, instills optimism in the audience. Laura and Alec's intimate connection grows stronger with each meeting, as the film reveals that, while knowing they're doing something wrong, they're trapped in drab marriages with little fulfillment.
The film's conclusion occurs when Alec and Laura spend their final day together before Alex and his wife relocate to South Africa. The couple is sitting at a table in the train station café when their goodbye is interrupted by a chatty familiar face who continues to talk to them. The train carrying Alec is set to depart. With a soft yet powerful emotion, he stands and touches Laura's shoulder. Then he goes out the door, leaving Laura behind. Laura then returns home and hugs her husband, leaving the spectator conflicted yet strongly linked to the tragedy of Laura and Alec's brief romance.