Table of content    
  1. Who Owns KIDZ BOP?
  2. CEO & Founder Of KIDZ BOP

Who Owns KIDZ BOP? Explore The Maestro Behind The Melodies!

Whether you've danced to their tunes during the tween years or have caught wind of the catchy melodies in passing, the name "KIDZ BOP" has likely resonated with you.

This record label has left an indelible mark, boasting a remarkable accomplishment of over 23 million albums sold and a steady presence on Billboard's Top 100 Artists chart for more than a decade. Now, the burning question arises: who owns KIDZ BOP?


Who Owns KIDZ BOP?

Source: YouTube
KIDZ BOP is a children's music powerhouse with over 34 million subscribers on its SiriusXM channel and a consistent presence on Billboard's Kids Artists chart for more than a decade. The brand's enduring success is thanks to the timeless appeal of pop music, with a total of 74 albums released since 2001, averaging four releases each year.
KIDZ BOP Enterprises LLCĀ is under Concord Music Group, which also includes labels like Fearless and STAX Records.
Going beyond conventional family-friendly tunes, what sets KIDZ BOP apart is that the music is sung by kids themselves - literally.
These young talents, some as young as 12 years old, are discovered through national casting calls to record albums, embark on tours, and even feature in advertisements for the KIDZ BOP brand.

CEO & Founder Of KIDZ BOP

President Sasha Junk Source: Concord
Founded in 2001 by Craig Balsam and Cliff Chenfeld, KIDZ BOP emerged from the founders' observation of a music gap for school-aged kids, particularly those aged five to eight. Recognizing the scarcity of age-appropriate tunes beyond preschool melodies like "Wheels on the Bus," Balsam and Chenfeld utilized their label, Razor & Tie, to establish KIDZ BOP.
The company, currently led by President Sasha Junk for the past 13 years, has evolved to meet the changing landscape of the music industry. Under Junk's leadership, KIDZ BOP launched its touring division, formed a crucial partnership with Live Nation, and adapted to the shift from physical CDs to streaming.
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