20 Posts About Fanstastic Four That Hit Harder Than Thanos's Snap

The Fantastic Four series has been loved, revived, misinformed, and deceived like no other Marvel product. With multiple films under their belt, Marvel's first family has fared far better on paper and the tiny screen than on the big screen (though the 2005 movie is finding a new resurgence among nostalgia junkies these days).
Despite their struggles on the big screen, they continue to be the gold standard for Marvel characters. Here are a few posts from Fantastic Four fans who have something to say about Marvel's original family. And below are the 20 posts about Fantastic Four that can make you burst into laughter.

1. Read The Room

Source: Marvel Studio

2. Realistic

Source: Marvel Studio

3. We've Been There For Long

Source: Marvel Studio

4. That's Annoying

Source: Marvel Studio

5. Too Accurate

Source: Marvel Studio

The Fantastic Four will go down in history as the worst superhero film of the decade, beating even Batman v. Superman and Dark Phoenix.
Hyperbolic people who walk out of a movie they don't enjoy will proclaim it the worst film ever made. It makes no difference whether the movie is good or not. They'll despise it. The way we feel about a movie might shift over time.
People who liked Star Wars: The Phantom Menace now agree it was a bad movie, while others who despised it have a newfound respect for it. This is why, in most cases, the passage of time is a good predictor of what is and isn't the finest film of a certain genre in a given decade.
From Batman v Superman to Suicide Squad to Jonah Hex, the 2010s saw a slew of underwhelming superhero pictures. Even though all of these films failed to impress spectators, they always had a glimmer of hope.
Either there's a standout performance or a story idea that succeeds. Even Dark Phoenix and Hellboy, two of the year's poorest films, have some redeeming qualities. But there's nothing good about Josh Trank's abominable Fantastic Four, a movie ruined by a studio, directed by a hotshot, and populated by sets and performers who were given inconsistent material and direction, even from scene to scene.